獻給飄落的蒸發：洪誼庭個展

從離開海洋的浪花，到與萬物相融的雨滴，這些終將蒸發的水氣，最終，會綻放出什麼樣的質地？

這次個展《獻給飄落的蒸發》以印刷品為創作媒體，將版印的概念和方法，作為感知時間的途徑。

當版印、時間和水氣，離開母版、標準化和歸屬之後，經歷了失色、墜落、模糊，並與世界相融，我才發現：完整，其實就是當下的狀態。於是，我透過「對位再對位」的過程，漸漸地看見世界，也看見自己內在的質地。

（此時，一切的一切，經歷了印刷、絞碎、形變，又回到最初的模樣。這樣的存在，如同水氣，無須化作形體，就已在場；也如同一場心理的氣候，無須言語，卻感知得到。

或許，獻給飄落的蒸發，是時光留下的回應，也是一場關於可見與不可見之間，重新編碼的練習。）

Fading, Falling, Forming, Flowering - HONG, Yi-Ting Solo Exhibition

From the sea foam that leaves the ocean, to raindrops that merge with all living things—what kind of texture will these evaporating traces of water ultimately unfold into?

‘Fading, Falling, Forming, Flowering’, takes prints as an essential medium, to look at printmaking concepts and methods as a way of sensing time.

When printmaking, time, and vapor detach from the matrix, from standardization and belonging—after experiencing fading, falling, and blurring, and eventually merging with the world—I realized: wholeness is simply the state of the present. Through the ongoing process of “alignment and realignment,” I began to see the world more clearly, and also perceive the texture within myself.

（At this moment, everything—having been printed, shredded, transformed—returns to its original form. This kind of existence is like vapor: present without needing to take on shape; like a psychological climate: wordless, yet perceptible.

Perhaps‘Fading, Falling, Forming, Flowering’ is a response left behind by time itself—an exercise in re-encoding the visible and the invisible.）

謎
My-stery

2025
日曆、木板、輪子 / 現地裝置
Daily calendar, board, wheels / site-specific installation
235 × 390 cm / Dimensions variable

讓日曆回到未知，回到最初的模樣；讓乘載日月星辰的印刷品，重新再生；換句話說，我將一種紙，製成另一種紙。日曆回到了自己，一張豐富且平靜的紙。她不用成為時間，不用承載吉凶禍福，就像日曆被發明前，人類看著一片片天空、一片片海洋，然後慢慢地發現：並非空無及所有，而是空無即所有。

Let the daily calendar return to the unknown, to its original form. Let printed matter once bearing the sun, moon, and stars be reborn. In other words, I transformed one kind of paper into another. The calendar returned to itself—a rich yet quiet piece of paper. It no longer needs to be time, no longer needs to carry fortune or misfortune. Just like before calendars were invented, when humans looked to the skies and the seas, and slowly came to understand: it is not that nothing and everything are opposites—it is that nothing is everything.