海市 Hourglass Mirage

海市
Hourglass Mirage

2024
複寫紙、攝影、海報、數位印刷、木牆、年曆
Carbon paper, photography, PVC poster, digital printing, dry wall, calendar / site-specific installation
492 × 244 × 105 cm / Dimensions variable

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「等待」和「尋找」之間的反覆循環，是否就是創造「期待」的方法？我把藍色的複寫紙一次次的揉皺、攤開、揉皺，再攤開，接著以攝影的方式，拍下一面粼粼波光的海景。而等待掉落的感受與意義，也許正徜徉在複寫的宿命裡，醞釀著潮濕的氣候……

這件作品以「無版印刷」的方式呈現，如果數位輸出的「噴墨」也可以視為現代生活下的彩色的雪，那麼觀看的過程算是為積雪留下腳印吧。

Is the repetitive cycle between "waiting" and "seeking" a method of generating "anticipation"? I crumple and unfurl blue carbon paper repeatedly, then, using photography, capture the shimmering sea. The sensation and significance of waiting to drop, perhaps, reside within the destiny of replication, brewing a damp climate……

If digital output, represented by “inkjet” printing, can be likened to colored snow in modern life through “non-plate printing for this work,” then the act of viewing can be considered as leaving footprints in accumulated snow.